Poetry
Deborah Marcus
stonemilker
the invisible visibles
what we envisage
is to say the break in the step
is the glue of continuation
the softness in the eye
is the piercing break of mind
the arrow of time juncturing
into the jugular of the other
if we lay here, backs against
the back of the earth
palms against the moist,
sodden worth
I wonder if you will know
the same texture of polar webs
that lace around my words
that lace around my earth
linearity unhinging linearity
| 1 | preoccupied, holding |
| 6 | all my various parts assembled |
| 13 | despite their remarking |
| 10 | of the gauzed opacity |
| 5 | the other darkness shouldering |
| 2 | pre-liminality, exposed |
| 7 | or fingered notions that |
| 11 | pulverised, wrapped |
| 9 | decaying down the centre |
| 3 | mirroring eye-middles |
| 8 | are twisting, recurring |
| 12 | disease-like, bending |
| 14 | as the bleeding orb |
| 4 | you surfaced while |
| 16 | in the gap we forged, shifting |
| 15 | inverted, beyond transparent |

Deborah Marcus is a poet, multidisciplinary artist and educator from unceded Darramuragal land. She is obsessed with truth and trees, potentially synonymously. Her Honours thesis on the interconnection between fractal geometry and poetic language won UNSW’s first University Medal for Creative Writing in 2022, and she went on to publish her first poetry collection An Organ of Chaos in 2023 with Joanne Fedler Media. She has been nominated as an Emerging Voice by Red Room Poetry, and her poem ‘Reduced’ was included in their anthology Admissions in 2022 (Upswell Publishing). Deborah has also performed her poetry at various local arts and culture events, including Sydney Comedy Festival in 2025 at the Enmore Theatre.